Showing posts with label Kay Springsteen. Show all posts
Showing posts with label Kay Springsteen. Show all posts

Tuesday, January 1, 2013

Astraea Press MUST READS!!

scooterMy son is riding his scooter he got for Christmas all over the house (thank you Grammy and Pap) and I’m trying write. Okay…I was procrastinating  on facebook. Ahem. And I kept running across all these posts about top books in 2012 and I thought, You know, I don’t leave a lot of reviews for my fellow Astraea Press authors because I have a hand in editing a great number of them, and we don’t review at all now because we don’t want to give the wrong impression, but I have some top Astraea Press books that I always tell people to read.

I’m going to add a disclaimer at this point that the books listed were published in 2011 and 2012 and the list is far from complete. I didn’t wanna make this post too long. (Need to get back to writing or my writing partner Kay Springsteen and the Editor in Chief for Astraea Press Stephanie Taylor will be moved to violence!) I randomly picked five books from my looooong list of favorites and you’ll see many of the others in the weeks to come.

So in no particular order, five of my favorites from Astraea Press:

2012The Toymaker.
When Kay Springsteen sent this to me, I emailed her back after reading two pages to let her know she had me hooked! The detail, the emotion, the STORYTELLING! Phillip and Ivy come to life, along with all the secondary characters. When I read the ending…I actually had tears in my eyes!
Amazon     Barnes and Noble







2012 - bAll We See or Seem
I’m not that crazy about science fiction, but I’m fascinated by conspiracy theories – so I loved this story. Gem is one of those characters who is funny without meaning to be. Her innocence is endearing and Gryff is an alpha male without trying! My only complaint is that Leah Sanders doesn’t have the sequel out yet!
Amazon     Barnes and Noble






Into the Ether
This book needs made into a movie. Period. Kudos to Vanessa Barger for creating such a unique, amazing character in Genevieve, a Touch-Know. Genevieve can talk to inanimate objects (or are they truly inanimate?) and Barger carries this off in such a fashion that I believed it! Vanessa, where is the sequel??? I’ve been waiting for nearly two years!!! This Steampunk YA will keep you reading.
Amazon       Barnes and Noble




2012 - cIn the Spotlight
OMG! I laughed out loud at so many places in this book my side hurt. The slow build of the relationship between Hannah and Josh was refreshing to read. I love how flawed these characters were from the first page. They were believable teenage kids and it made the story better. One of my resolutions for 2013 is to read the follow-up Curtain Call.
Amazon     Barnes and Noble





2012 - aThe Fairy Godmother Files: Cinderella Complex
BLAHAHAHA! When sixteen-year-old Maggie inherits the job of Fairy Godmother from her grandmother, she does a fabulous job of messing it up, and I was all too happy to laugh at her faux pas! Very unique telling of the fairy godmother story!
Amazon     Barnes and Noble




So there you have it! Five of my favorites! And the list is far from complete. Be sure to check back for more of the best books by Astraea Press in the following months. So many to read, so little time!

I know I’m personally chomping at the bit to read Fried Pickles and the Fuzz by Calico Daniels, the next Scandal book by Vivian Roycroft, and Kay Springsteen’s follow-up to The Toymaker! But more importantly! I can’t wait to bring all of you the long-awaited sequel to my and Kay Springsteen’s A Lot Like A Lady, Something Like A Lady! I promise, it will be worth the wait!

HAPPY READING!

~Kim

Friday, August 17, 2012

Sweet Saturday Sample: A LOT LIKE A LADY

Happy weekend! Time to snuggle up with a good book. And do I know just the one!

Kay Springsteen and I are happy to announce that our Regency Romance A Lot Like A Lady is currently on sale for $.99!! SQUEE!! You can pick it up at:

AMAZON.COM or BARNES & NOBLE

BLURB: Ladies’ maid, Juliet Baines has gotten herself into a pickle by agreeing to go to London and taking the place of her mistress and best friend, Annabella Price, stepsister to the Duke of Wyndham. After all, what does a servant know about being a lady? But Juliet soon finds that pretending to be a lady isn’t nearly as hard as guarding her heart against the folly of wanting a man who’s completely out of reach.

Graeme "Grey" Roland Dominick Markwythe, Sixth Duke of Wyndham, approaches his duties as a nobleman with great dedication and meticulous care. And he’s a man who is not easily fooled...except when he tries to convince himself he's not utterly and madly in love with the beautiful imposter who has turned his life upside down. Will society and his responsibilities to his noble status keep him from opening his heart to the woman he loves?

And here's a sneak peak of one of our favorite scenes from Chapter 2:

“I’m sure I didn’t understand you, Higgins. Did you say my father’s coach is here?” Grey glanced up from the ledger opened before him with a frown.
His heart clenched and his throat tightened at the thought of the beautiful town coach his father had personally designed being used by someone else. Let alone by a virtual stranger. Burning irritation flooded Grey’s veins at the thought. He should have had the ducal carriage removed from the country home and brought to London. But it had been a source of distress to think of seeing the coach his late father had loved so much every day. Even now, four years later, it was still too much to bear.
Four years. Had it really been that long since his father had died? Since he’d seen his brother…
Grey raked his hands over his face to dislodge the direction his thoughts were taking and breathed deeply. The arrival could only mean one thing. His stepmother had deemed it necessary to come for a visit. No doubt to ask for more money, if the condition of the country estate’s finances was correct.
“Yes, your grace.” The butler stood straight-backed in the doorway of the study, neatly attired in black and unruffled as usual, his long, gaunt face devoid of any expression. Behind him, daylight flooded the normally dim foyer.
Distaste crowded Grey’s throat. “Inform Mrs. Markwythe that I am indisposed and send her on her way.”
”I beg your pardon. I wasn’t clear, your grace. This appears to be more than a social call. The footman who accompanied the carriage is unpacking it—”
Grey stared in disbelief at his manservant and nearly choked before he found his voice. “Why the deuce would he do that?”
His secretary cleared his throat, drawing Grey’s attention toward the slight man behind the mahogany writing desk across the room. Petry shifted uncomfortably in his seat. The heavy damask draperies behind him had been pulled back, leaving his face in shadow. As if gathering his wits, he hastily pushed to his feet.
“What is it, Petry?”
“If I may, your grace? Mayhap the letter you received from the Duchess of Wyndham a few weeks ago discussed the visit.”
Grey’s hand tightened around his quill. The note. The blasted note from his stepmother. He had forgotten about it. Squeezing his eyes shut, he struggled to recall what Regina had said in the message. Something about Annabella needing a season in London. Whyever for?
Gently, Grey set the pen down, struggling for a modicum of composure. He stole one more look at the figures that weren’t quite adding up and decided they would have to wait in view of more pressing circumstances. Such as uninvited company. With a sigh, he slammed the book shut and tapped the cover with the tips of his fingers. Impatience tugged a breath from his chest and he stood. “Send the Duchess of Wyndham in.”
“I-I beg your pardon, your grace. The duchess isn’t with her daughter.”
“Not with—” Grey broke off and let out a curse.
He lifted his gaze heavenward. What had he done to deserve this?
Looking after his stepsister was the last thing he wanted to do, next to staying in town for another Season of mothers shoving their debutante daughters toward him at every social function. And now, not only would he have to worry about that, but he’d have to care for a debutante of his own. Bile threatened his embarrassment.
Grey ran his hand through his hair and let out a sigh, cursing himself for not dealing with this sooner. He’d made London his home these last four years, and the longing for his country estate had finally subsided as the comfort of his townhouse had begun to fit him like his favorite breeches. He caressed the top of the walnut and rosewood desk that had once been his father’s. Fulfilling the responsibilities that came with his father’s title hadn’t come easily, but moving the furniture from the country had made him feel like Alexander was still with him somehow, guiding him through his initial uncertainty.
“Your grace?” The butler’s soft query startled Grey from his reverie.
“Where is she, Higgins?” Irritation took root and his eye began to twitch.
“She is still outside, your grace. Shall I show her in?”
Grey wanted to tell the servant no, just send the girl away. But he knew that wasn’t an option. “Yes, show her in. Then send the coach to the livery for fresh horses.”
“Right away, your grace.” The butler gave a stiff bow and backed from the room.
Grey refused to spend the Season caring for the spoiled girl. It was bad enough his father’s second marriage had bound him to the chit and her mother. He provided them with a home — his beloved Wyndham Green no less — a generous allowance, and the protection of his title and status. His generosity was stretched to the limit, and he had no intention of inconveniencing himself any further. He would explain the misunderstanding to the girl, apologize, and send her back to the country.
Before he could put action to his thoughts, the gentle peace of his home was fractured by the clatter and scrape of nails against the wood floor of the foyer, approaching with the grace of a runaway horse. Grey groaned. The last thing he needed was his uncle’s bulldog attacking someone, even if it might get rid of his unwelcome guest. He hurried to the door and stepped into the hallway, but leapt back as the nasty brown and white animal pushed past him, racing straight for the surprised footman who held open the heavy front door.
“Blasted dog! Lucien, if that mongrel bites someone, so help me, I will shoot you!” Grey warned as the older man hurried by.
Lucien had the nerve to give him a disgruntled look. “Why, nephew, Lord Perceval Randolph Neville—”
“Stop calling him that or I shall have to pick my second with the marquess,” Grey snapped. Bad enough his uncle had named the fiendish dog after a neighbor; now it was running loose around London terrorizing an arriving guest. Unwanted though she may be.
Why did Lucien continually insist on shocking people? The man had once named his horse, a sorrel thoroughbred stud, after the vicar’s wife because, as Lucien had so graciously explained, “The horse was the spitting image of the woman.” Grey’s father had lined the coffers of the church well for almost a year to appease the insulted vicar and his wife.
“Be a dear boy and grab the leash,” Lucien said with a flick of his hand. Straightening his rotund form, he managed a majestic waddle as he followed the bulldog outside.
Grey gritted his teeth and turned to retrieve the leash from its undignified resting place wrapped around the iron umbrella stand. Before he’d gone two steps, a loud, shrill scream punctured the air, followed by the dog’s wheezing bark. Grey wheeled around. His great uncle stood as motionless as one of his stone statues just outside the front door, both hands clutching his chest.
“Lord Perceval, get off that woman this instant!” Lucien’s voice rose an octave and ended in a wheezing squeak as he regained his senses and hurried down the walk.
“I’m going to shoot that blasted dog!” Grey yelled as he stomped out the door. First he’d ensure the rotted beast hadn’t taken a hunk out of someone. After that, he’d send his unwanted guests on their way. Maybe then a return to his normal routine would restore peace to his home.
On the landing, Grey froze. His stomach performed a slow turn like a rabbit on a spit.
Lucien’s monstrosity stood growling on top of his victim, who lay sprawled half in and half out of the coach, her skirts up around her waist. The beast shook his head, sending spittle flying through the air.
“Oh my heavens!” Lucien approached the fallen victim. He raised his voice. “Madam! Madam, can you hear me? Have you been wounded?”
“Her ears were not injured, you old fool,” snapped a slender woman of middle years wearing a black velvet pelisse. She proceeded to whack Lucien repeatedly with her reticule. “Get that wretched creature off my sister this instant.”
Lucien raised one arm against the attack while reaching for the irate lady’s reticule with the other. But she only changed hands and continued to lash out at him. The driver stepped between the prizefighters, receiving a thwack to his shoulders for his effort. The footman abandoned his task of unloading the coach and hastened to the lady’s side, placing a tentative hand on her arm, evidently trying to still her agitation.
A yelp came from beneath the dog as his victim flailed her legs.
Grey glanced about. Lady Rossington and her ridiculously giddy debutante daughter had halted their walk along Newport Street and stared enraptured at the sight. He bit off a curse. The whole of London will be laughing about the scandalous scene by nightfall.
He stepped forward only to be stopped again when a young girl darted from the rear of the carriage. Presumably this was Annabella, though she’d grown some since their last encounter. Her yellow and cream traveling gown swirled about her legs with each step, and she tugged a short dark green jacket into place as she walked. Golden curls peeked from beneath a green bonnet decorated with flowers and cascaded over her shoulders.
With quick movements, she grasped the dog’s collar and gave it a yank, tugging against the massive brute. Grey’s stomach twisted into a tight knot. He’d soon have two injured people on his hands.
He opened his mouth to tell her to get back when the animal let out a high-pitched yelp and the girl stood, dragging the dog up with her.
“You naughty boy, that’s quite enough.” She spoke sharply, her tone brooking no argument.
The dog jerked its head around and snapped at her.
She simply thumped him on the nose and he let out a shocked yap. “You mind your manners.”
The dog growled and wheezed and showed his teeth; all the while the rest of his body wiggled and his tail wagged wildly.
I wonder if she could do that with Lucien.
The girl shifted, presenting Grey with a view of her profile, and his breath caught in his throat. She crouched on the ground in front of the beast, removing remnants of an ostrich feather from the corner of his mouth. Instead of the creamy white skin most of the gentry favored, which, in Grey’s opinion, made the girls look like death, she had a slightly darker sheen that enhanced the golden locks framing her face. Her mouth curved upward in a gentle smile. Soft laughter bubbled from her lips and combined with the way she now stroked the dog’s head to send a shiver up Grey’s spine.


I hope you enjoyed the excerpt! Happy Reading. And don't forget to pick up your copy of A Lot Like A Lady while it's on sale!

Click HERE to return to the Sweet Saturday Sample list.





Monday, April 30, 2012

SPRING FLING BLOG HOP


   Welcome to the Spring Fling Blog Hop! I’m going to make this short and sweet and easy – just the way I like it!
The theme for this blog fits my and Kay Springsteen’s new release A LOT LIKE A LADY. The story is set in London, England, 1813, during the Season – specifically April and May. What a wonderful, magical time that was! Attending balls, dancing, searching for the perfect marriage match…It is the inspiration for several of my favorite books! So I thought it would be fun for commenters to share their favorite historical book that includes the London Season.
For me, I have to say it’s my own book A LOT LIKE A LADY! Hey, why would I not pick my own book? Kay and I made the plot what we wanted, created characters we fell in love with, and check out how awesome our cover is!! LOL! But if I have to pick a book besides my own, it’s gotta be Judith McNaught’s Whitney, My Love. Once I read that story, I wasWML hooked on the genre.
So what’s your favorite book that is set during the London Season? Leave a comment below (be sure to include your email address) for a chance to win the Grand Prize of a paperback copy of A LOT LIKE A LADY or a second place prize of an Ecopy of A LOT LIKE A LADY. And for a third place prize, an Ecopy of Rachel Van Dyken and Leah Sander's Waltzing with the Wallflower.*

I’m so glad you stopped by! Click on the Spring Fling Icon above to return to the list of blogs on the hop!
Kim
*Contest runs from April 30 to May 8 at midnight. Winners will be announced May 9th. Must leave email address in order to win.

Tuesday, June 7, 2011

Workshop Wednesday with Kay Springsteen

Why Your Book Needs a Realtor

This is it! You’ve decided to move. Maybe your house is too big, maybe it’s too small. Maybe you just want to live someplace else. Either way,you’ve decided you’re finished with the house you’re living in. It’s time to sell it. To do that, you have to put it on the market. So let’s say you’ve been living in this house long enough to get comfortable. You’ve made a few improvements, tweaked a few things. Maybe you’ve put on an addition. And along the way, your kids have grown, so you’ve added growth charts with some cute little nicks in the woodwork of their bedroom doors. Nothing big, and it’s so cute and heartwarming, you just know the house’s next owners will want to preserve those marks forever like you were doing.
And, well, maybe getting in and out of the master bath is a bit awkward because the door sticks, but if you just give it a tiny kick, it opens just fine. Yes, those stains on the carpet are a tad unsightly, but—hey, it was New Year’s Eve of 2000 and Auntie Em thought the world was about to end when the clock struck midnight, so she was chugging the grape juice. And when the countdown ended and the neighbor shot off his gun…yeah, maybe that’s not as cute now that 2012 is approaching and Auntie Em likes prune juice.
So your house has some quirks that not every prospective owner is going to love…some might even hate them. What do you do? You clean it up. And since you have a hard time with destroying the evidence of some of your best memories, maybe an objective opinion is called for.
You wouldn’t consider selling your house without cleaning it up and having a third party (AKA your realtor) evaluate what you still need to do to show it off successfully, right?
So why would you consider doing anything less for that story you’ve been sweating over for the past several months or even years?
You’ve built your world, met your characters, introduced them to the world, added in a plot so they have tasks to accomplish. You’ve given then a voice and shown them participating in activities that lead to other activities. You’ve crafted a heart-stopping climax and finished with a breathtaking flourish. You’re ready to submit to a publisher and take that bow into the world of publication, right?
Wrong.
No one tells the perfect tale in a flawless fashion. We’re all human – more human than the characters we’ve created, actually. We’re bound to miss a period or a set of quotation marks. We probably have too many commas or a misplaced modifier. We may even…gasp! We might have a plot hole or two.
So, your story isn’t 100%. What do you do? You can send it in and risk rejection before the acquisitions editor reads past the second or third page. Or you can polish it.
Oh, you’ve already polished it? What about page 17, where your character said she hasn’t been home in 10 years, and then on page 24, she says she’s been away for 11 years?
It’s easy to miss the small details by being too close to the story you wrote. And it’s those small details the reader is going to notice and say, “Wait a minute!” 
So after you realize you’ve done as much as you can with the story, what do you do? You call a realtor. Or at least a critique partner or a group of them. You need someone to look over your work. Someone who will be able to look at what you’ve crafted with a…well, a critical eye. An objective party. Not the spouse, who will either joke your story’s foibles away or not get it. Not your best friend who will gush about your work because, well, you wrote a book!
You need someone with strong grammar and usage skills, someone who understands fiction and how it’s written. The best critique partners are other authors—this also gives you a chance to critique their work for them to return the favor. Trust me, every time you critique someone else’s work, you will learn also.
Now, I’ve developed a partnership of trust and fun with my critique partners. When they point things out, they’re not trying to undermine me or say my work stinks. They’re giving me insights that I can’t have about my work because I’ve been looking at these pages for so long I overlook things. They’re helping me improve and become a better writer.
But that doesn’t mean we don’t have fun at it. My Achilles heel is the difference between lay and lie. I even tried to teach myself to remember the difference by remembering that chickens lay and people lie. But I frequently miss it because it’s one of those things I grew up with: “The shirt was laying on the floor.” It’s a family colloquialism.
So, what do my crit partners do? They cluck-cluck like chickens whenever they find I’ve done this. We have fun with it because writing fiction, through all its processes, should be fun. Otherwise, why do it?
I trust my crit partners with my baby. I may or may not agree with everything they tell me, but the things they find are things at least I am made aware of. Sometimes, I don’t agree with them and yet I can see I’m not right either, and at such times, critique partners are great persons to brainstorm with. “Obviously plan A isn’t working, so what do you think might fix it?”
As a writer, you owe it to yourself and to the story you’ve been working so hard on, to include crit partners in the process. They are your first line of editing so you can present the most polished manuscript possible to the publisher. And believe me, if you can’t take what a trusted critique partner says without folding, you will have problems when your book goes into the publisher’s editing stage. A crit partner will help you polish your work for the editor to prepare for publication. An editor, on the other hand, has a job to do, and that is to spin your work into gold for your readers to enjoy to the fullest possible extent. The more polished your submission, the easier the process of editing will go.
If you need further convincing about the benefits of a critique partner, consider this personal story. Based on my tag line and brief synopsis, I was invited to a chat pitch with a major publishing house’s top editor. I became finger-tied (the equivalent of tongue-tied) and completely bombed the chat. However, this editor obviously sensed my nervousness, and she changed her question tactic. She asked if I had a critique partner or group, and I told her yes. She asked what they thought of the work, and I told her they liked it. She then asked me for a full submission directed to her attention. Why? She confided to me that my pitch was weak but the fact that I worked with critique partners showed a level of professionalism and dedication, and she knew the manuscript would be more polished than if I submitted it with just my own editing. Editors want the submission to be as polished as you can get it, too. Critique partners are your first line of defense to make sure you get that sought after acceptance letter.
Critique partners can be found in various writing groups at http://groups.yahoo.com/ (http://groups.yahoo.com/group/RWCcritique/ is one; others can be found using the search function, http://groups.yahoo.com/search?query=romance+writing+critique) and at reviewfuse.com. Also, eharlequin.com has a forum in the community tab, where you can reach out to and connect with other writers.

Thanks so much, Kay, for such wonderful information. It is VITAL that you have crit partners to help you with preparing your manuscript. I see book on a daily basis that speak poorly about the author because of errors that could have been avoided. Writing partners will ensure you put your best foot forward.

I hope this was helpful. please check out my post last week on Formatting Your Manuscript and I hope you'll visit my Workshop Wednesday next week:)